Crystal Souleater

22 Jul 2014

Daria Sidorchuk by Marta Syrko

(Source: crushalltheraspberries)

22 Jul 2014

“A little thing, like children putting flowers in my hair, can fill up the widening cracks in my self-assurance like soothing lanolin. I was sitting out on the steps today, uneasy with fear and discontent. Peter, (the little boy-across-the-street) with the pointed pale face, the grave blue eyes and the slow fragile smile came bringing his adorable sister Libby of the flaxen braids and the firm, lyrically-formed child-body. They stood shyly for a little, and then Peter picked a white petunia and put it in my hair. Thus began an enchanting game, where I sat very still, while Libby ran to and fro gathering petunias, and Peter stood by my side, arranging the blossoms. I closed my eyes to feel more keenly the lovely delicate-child-hands, gently tucking flower after flower into my curls. “And now a white one,” the lisp was soft and tender. Pink, crimson, scarlet, white … the faint pungent odor of the petunias was hushed and sweet. And all my hurts were smoothed away. Something about the frank, guileless blue eyes, the beautiful young bodies, the brief scent of the dying flowers smote me like the clean quick cut of a knife. And the blood of love welled up in my heart with a slow pain.”
— Sylvia Plath  (via itchesandtugs)

(Source: fernsandmoss)

22 Jul 2014

teacupnosaucer:

neptunain:

heteronormativity for dummies or, “why homophobes aren’t the only problem”

You will not believe the shit I get for correcting people when they talk about my daughter like this. Just stop fucking assigning sexualities to babies jfc straight people

22 Jul 2014

(Source: sdzoo)

21 Jul 2014

21 Jul 2014

21 Jul 2014

cross-connect:

Matt Shlian is a Michigan-based artist who describes himself as a paper engineer; he uses his engineering skills to create kinetic sculpture from paper.

I cannot explain how I make my sculptures in a general sense- each one is different.  I don’t share my diagrams or cut patterns.  I learned by taking things apart, doing things the “wrong way” and being curious.  Getting something wrong is way more important to learning than copying something perfectly. 

My process is extremely varied from piece to piece.  Often I start without a clear goal in mind, working within a series of limitations. For example on one piece I’ll only use curved folds, or make my lines this length or that angle etc. Other times I begin with an idea for movement and try to achieve that shape or form somehow. Along the way something usually goes wrong and a mistake becomes more interesting than the original idea and I work with that instead. I’d say mystarting point is curiosity; I have to make the work in order to understand it. If I can completely visualize my final result I have no reason to make it- I need to be surprised.

21 Jul 2014

chris rayner by andrea vecchiato

(Source: odinsarrows)

21 Jul 2014

21 Jul 2014

(Source: effiearts)